Wednesday, December 3, 2014

Surrealism image

El triomf i el rodoli de la Gala i en Dali

Wednesday, September 10, 2014

ממן נכסים והשקעות זהירות גנב

מאיר ממן  הבעלים של ממן נכסים והשקעות הוא נוכל ורמאי

ראו הוזהרתם לא לבצע איתו כל עיסקה.

קראו פרטים מלאים בקישור הנ"ל 

Wednesday, March 21, 2012

SALVADOR BRAND is seeking Licensees

SALVADOR BRAND is seeking Licensees for Salvador Dali's famous art works, "El Triomf I el Rodoli de la Gala I en Dali", created by the Spanish artist in 1961.
The License includes manufacturing and distribution rights, 43 drawings by Salvador Dali as well as images from Dali's opera ETRE DIEU.  The License is available for a single country or multiple territories. All products and services are open for licensing.
Style Guides, Images and Brand Presentations are available upon request by contacting us at: For more information please visit Salvador brand web site

Thursday, July 14, 2011

Original Perfume vs Perfume license, or the whole truth about the "license"

Going on the Internet market perfumes, we were very surprised a huge number of online shops offering any "original" perfume "to 140 UAH. Per liter," or selling "perfumes" that was released on license, arguing that the differences are minimal with the original flavors .
So, let's investigate.
Luxurious genuine perfumes (the "original") - it is a genuine production of the leading global brands, which is produced by the original formula in the factories owned by big perfume houses in compliance with all standards of quality and concentration. The composition of the original perfumes contain only natural ingredients, respectively, this perfume has a high persistent scent, the same all over the world. That it is sold in Duty Free. It is working with her ​​official distributors.
What is a licensed fragrances ("License") - an imitation of the original perfume, which does not produce in the country to which the perfume house (most frequent production of Turkey and the UAE).
"license" has a good resemblance (package, name, bar code) and almost identical to the original perfume fragrance. The key word in this case, "almost." You can visually exactly replicate the original prototype perfume, but differ dramatically the quality, flavor and stability.
Now let's think logically.
We are hard to imagine even a very rich Arabic-Chinese-Turkish businessman, who comes to the famous perfume house with the statement: " Give me your "license", an exact formula for flavor and package design, and I'll publish and sell your products much cheaper and I will get rich on this. " Of course any self-respecting perfume manufacturer replied: " Yes, of course, take it, please " .
Just think what should happen with the manufacturer of the wild attack of altruism, so that while he continues to share advertising and other costs for promotion brand, someone else got a clean profit by selling flavor without the headaches under the guise of a beautiful word "license" .
If you stop for a moment and think about it, the only logical inference is a conclusion that NO "LICENSE" None of the known world producers would never give ANYONE AND DO NOT sell.
If you buy once "license", if you pay attention to the inscription on the box: where manufactured goods? That's right, made ​​in France , made ​​in Spain , etc. If we follow this logic, then all bottled Coca-Cola, produced in Ukraine, will be written in USA made ​​. Although any official manufacturer of the goods will write the country of manufacture and will not hide the fact that the product was released on license. Have you seen the inscription on the "license" perfumes " made ​​in UAE "? The question is rhetorical.
And now more about what is behind the phrase "licensed perfumes."
Firstly, the production of perfume - it is an expensive, high-tech process. In the manufacture of counterfeits can at best use the same ingredients as the original perfume, but are mainly used synthetic ingredients, which is much cheaper than natural ones. Synthetic compounds have the same degree of volatility, so there is no disclosure of such a wealth of fragrance on the skin as if it consisted of natural extracts. A so-called "binding" substances, which are necessarily used in the fragrance, if not dose may remain in the body much longer than fast weathering components of the "top notes". As a result, after only a short time you can stay, for example, it is not a pleasant smell of amber, almost always included in the composition of any flavor, instead of refined aroma of expensive perfume, which you had hoped. And if we take into account that the human olfactory system does not detect the odor that surrounds it for a long time, we may disappoint you: You will be seen surrounding a different way than you had planned.
Second, it is important for us strength flavor. Most of the fakes fully weathered for an hour.
If we still have not convinced you of the obvious choice, try to find a definition of "licensing" of perfumes in English, French or even search engines. For all our zeal and desire, the knowledge of several foreign languages ​​and sincere desire to uncover the truth, we could not find detailed information confirming the existence of this form of perfumes in general.
Conclusion: If the seller tells you that the contents of the vial is made and bottled under license - it's definitely fake. Perfume brands do not issue any licenses for their products.

Valuation of intellectual property: trademark (brand) of patents and licenses

Valuation of intellectual property and intangible assets. As the economy develops, new technologies and production of high-tech products, intellectual property (IP) and intangible assets (NM), becoming one of the most important components of enterprise assets. Quite often there are cases when the value of intangible assets exceeds the value of its tangible assets and is a major resource company in the competition.
This is especially true for companies with solid business reputation in the market, owning well-known trademarks, or operating in the market of high technology products. The Civil Code of the Russian Federation in Article 138 EC provides the following definition: "In cases and order established by this Code and other laws that recognize the exclusive right of a citizen or legal entity on the results of intellectual activity and equalized to them means of individualization of a legal entity, product differentiation, works or services (trade name, trademark, service mark, etc.). Using the results of intellectual activity and means of individualization, which are the subject of exclusive rights may be exercised by third parties only with the consent of the owner. "
In assessing the intellectual property can be divided into three main sections: industrial property - patents, selection patent, design patents, certificates for trade marks, service marks on the certificate, subject to copyright and related rights - scientific, literary, music, painting and other art forms, computer programs, databases, and the topology of circuits; information of trade secrets - the know-how - that is, knowledge of technical, financial or administrative and managerial nature, or likely to bring to bear, revenue or other benefit, the results of research and development work, not protected by patents of design, engineering and manufacturing documentation.
Evaluation of a trademark (brand)
Valuation of a brand can be an integral part of assessing the effectiveness of the company or individual units involved in research and development. However, when assessing the trademark must be remembered that in itself does not create customer value. However, advertising of the trademark promotes consumer product properties, promoting the formation of demand, and hence raise the price of nego.Pri assessing brand value evaluator will need a lot of quite detailed information about the company-owner (or user) and information about the specifics of the production and sale of products evaluated brand. That the financial indicators of sales, profits, business owner, the cost of servicing and maintenance of a trademark, the possible prospects for increasing sales and expanding the market determine the present value of estimated grades.
Valuation of patents and licenses
patents Assessment - a way to replenish capital enterprise, which allows you to amortize intangible assets. The same assessment of a patent is necessary to recalculate the fixed assets of enterprises, determine the fair market value of the object in the transaction of purchase and sale of intellectual value. Under the patent refers to the assessment evaluation of the exclusive rights to these kinds of intellectual property, which were confirmed by a patent issued. One of the legal institution through which the protected intellectual property rights, patent law is. It regulates the property and related personal property are not the relations arising in connection with the creation and use of inventions, utility models and industrial designs. In accordance with the Civil Code of the subject matter may be a device, method, substance, microorganism strain, cell culture of plants and animals, as well as the use of a known device, process, substance or strain for a new purpose. Industrial design is an art and design of an article that defines its appearance. As a utility model protected technical solution relating to the device.

Tuesday, March 22, 2011

Reputation, image and reputation: what meanings?

What (s) difference (s) can be made between reputation, brand image and reputation?! Behind these words, employees at all sauces by professionals, do we find different meanings?! These terms are complementary?!
Before returning to the presentation of some tools I have in stock, I offer an article very "theoretical" to pose a clear and clean the mean THE employees of these three terms all the time on this blog. As I said previously, the reputation is not a new term emerged with the web, and island seems to me useful to define it to begin a second year on this blog dedicated to e-reputation ...
According to the dictionary of the French language dictionary, 2009, the reputation is "[the] manner in which someone or something is known, seen in public." But also "favorable or unfavorable opinion of the public for someone, something."
The reputation is therefore two aspects: the perception of someone or something by a "public" (that is to say, a community of people see an individual), and the result of the cognitive process leading to the formulation of an opinion. Reputation can be seen as a result, more than a cause:
==> Result of actions taken by "someone or something" on the perception that people have of that person or thing. The term "manner" in use in the first dictionary definition then becomes a scale of value: what (s) way (s) and how intense the public consider you it signs and messages sent by someone or thing? This idea of ​​scale value is also confirmed by the Latin etymology of the term reputation "reputation" which means "assessment".
==> The result of the interpretation of signs perceived by the individual (thus becoming an opinion, that is to say the result of "evaluation" done, consciously or not elsewhere)
The individual thus receives signs that interpreter. These signs are referred voluntarily or not ("can not not communiquer1). The receiver of these signs then created an image of what he has collected, the assessment made by its own scale of values.
Reputation for being present every thing (person, object, event, etc.). We will focus our comments here on the reputation of organizations. The image is perceived by an individual becomes an image known brand.
Indeed, the mark is (a commercial point of view and mostly legal) a name, term, sign, symbol or other element used to identify a product or service and differentiate it from its competitors. This term applies to those organizations, which all have a "brand". For example: Renault, whose name is a trademark or Kronenbourg is a brand (a product) of the Danone group, see a craft that is commonly called the "brand" that helps to differentiate it from its competitors.
The brand name becomes the receptacle of the proposed reputation, that is to say, it can differentiate and name the object on which we project a reputation, for which one has an opinion. More specifically, it is rare to hear that the cars in general have a bad reputation, but rather that this particular model producer (designated by a mark) have a good or bad reputation.

As for the reputation, brand image is conventionally defined as the set of rational and emotional representations relating to a brand's value judgments brought by an individual on a brand.
This term is used particularly in marketing, and many authors associated with the discipline of management have written on this subject.
Jean-Jacques Lambin2 provides a precise definition of the image. For him, it is "all mental representations, cognitive and affective, that a person or group of people make a mark. He identifies three levels of branding:
==> The perceived image, that is to say how the target segment (the target audience, which is projected on the picture) sees and perceives the mark
==> The true or real image of the brand with its strengths and weaknesses, as known and felt by the company
==> The desired image, is how the company wants to be perceived by the target segment and follows a decision by positioning

Reputation, as we have defined above may be associated with "perceived image" as defined by JJ Lambin. "The true picture" would be the reputation of an organization as perceived by its members. "The desired image is the image projected by the organization to its audiences.
One of the objectives of an organization to control its image would thus reduce the gaps and reduce the dissonance between "perceived image" and "the desired image, while remaining faithful to" the true image .
Considering the large number of definitions of the concept of branding, Pinlon-Labbé3 proposes to distinguish three levels:

==> The image itself is to say, perceptions of a brand by consumers, either in a sustainable way and in absolute terms or in a specific situation to compare different brands or Finally, a special case of communication about this brand

==> The identity of the brand, defined as the set of characteristics that the company which manages the brand that the consumer wants it combines

==> The media coverage of the brand, which is the set of characteristics that mark diffused through signals from the company that manages, or from sources not controlled by the company

These three levels can be seen as a reformulation of the definition of JJ Lambin.
However, some points are worth emphasizing.
First, the notion of "media" that helps bring the concept to support the brand. The signals sent by an organization are charged to the individuals targeted by communication media, ie media. Each of these media have different characteristics that can distort or amplify the message. In our case, the support of the media message is that Web 2.0 and media types associated with it.
The idea of ​​"uncontrolled sources is here also in line with the concepts related to Web 2.0, namely the fact that any person (user) can become very easy (technically speaking) a source of information recognized by community, and thus outside the direct control of an organization (some would argue that traditional journalists are also out of reach of many organizations ... case demonstrates otherwise ... but this debate will not be developed here).

Then, the concept of brand identity. This "identity" away from the concept of "true image", since identity can be built from scratch (see be falsified). It is no longer here that members of an organization perceive it, but rather how they will highlight the characteristics that seem attractive to their targets. Beyond the notion of inner perception, the concept of brand identity reinforces the idea of ​​control of an organization's image.
The representation of the image by an audience thus requires knowledge of the attributes of that brand knowledge acquired by the information projected by the organization, as well as how information is perceived, understood and integrated by the public target.

According to the dictionary of the French language dictionary, 2009, the reputation is "[the] character of what is notorious, known to many people."
If one combines this concept with that "brand" awareness becomes the measure of the degree of brand presence in people's minds. It's sort of the result of the projected image of an organization's reputation and resulting in the minds of individuals.
More simply, the reputation is the public knowledge of a trademark: it exists or it is zero (when it is reduced to the single individual), or she is graduated (knowledge of some specific attributes that most of others).
Applied to the Web community, awareness appears to be complex. According communities, brand is known or not. On the web, brand recognition becomes its level of visibility: in virtual communities (social networks, forums) on search engines (based on certain keywords), sites or blogs linked to areas of expertise of the brand, etc.. The brand is present? Tell you one of them?
To summarize, we can define the different concepts as follows:

==> Reputation: image perceived by an audience
==> Branding: the projected image
==> Reputation: result of the projection and appropriation (memory) that it is the public

These three concepts are complementary. Relations between them can be schematically represented as follows:
The organization sends voluntarily or not the public a certain image of its trademark.
The public interprets this image in his mind becomes a reputation. Reputation he referred in his speech (when it is mediated) to the organization. Awareness is then the quantitative measurement of traces of the projected image and perceived image (reputation): the public remembers the brand and / or certain of its attributes or not.

After measuring its reputation and evaluated its reputation, the organization can adjust the image it sends to the public, and return. And so on ...
This comprehensive approach to the concept of reputation and other concepts associated with it (brand and reputation) lays the foundations for the concept of e-reputation.
More precisely, it demonstrates the need and the overall objectives of the management of reputation, brand image and reputation of an organization: to match the image desired by the organization that paid by the public target, and ensuring that increased awareness of the organization (or one of its brands).
If reputation is an objective, Web 2.0 is a vector and its associated media (blogs, forums, etc..) Facilities management (or correction).